000			03569cam0a2200457 4500
003			http://www.sudoc.fr/264262603
005			20230919055031.0
009			264262603
010			_a978-2-503-59785-0 _bbroch
010			_a2-503-59785-8 _bbroch
035			_a(OCoLC)1343899487
073		1	_a9782503597850 _bbroch
090			_989036 _a89036
100			_a20220907d2022 k y0frey50 ba
101			_aeng _2639-2
102			_aBE
105			_aabe abv 001yy
106			_ar
181		1	_bxxxe##
181		1	_bxb2e##
200	1		_aCarvers and customers in Roman Palmyra _ethe production economy of limestone loculus reliefs _fJulia Steding
214			_aTurnhout _cBrepols _dDL 2022
215			_a1 volume (XIV-292 pages) _cillustrations en noir et en couleurs, cartes, plans, couverture illustrě en couleurs _d28 cm
225			_aStudies in Palmyrene archaeology and history _vvolume 7
320			_aBibliographie pages [152]-172. Notes bibliographiques en bas de page. Index
328			_zTexte remani ďe _bThs̈e de doctorat _cArchǒlogie _eUniversit ď'Aarhus (Danemark) _d2019
330			_aPalmyra, located in the Syrian desert, is famous for the portraiture of its citizens, produced when the ancient city was at the height of its powers in the Roman era. At this time, several hundred funerary monuments were built and the Palmyrenes decorated their tombs with numerous portraits. The most common of these are the loculus reliefs that depicted Palmyra?s men, women, and children, and were used to close off the niches in tombs behind which the dead were buried. Between AD 50 and AD 273, these stone slabs were produced in sufficient numbers to make Palmyra home to the largest corpus of funerary portraits outside Rome itself.00This volume offers a fresh and nuanced analysis of Palmyrene funerary reliefs and their production in order to shed light not just on the people they depicted, but on the individuals responsible for their creation. Across a range of different case studies, the author explores the making of single portraits from the local limestone, examining how Palmyrene carvers worked, the techniques they used, the tools they employed, the ways in which style and technique changed over time, and the mode of production that was in place. Furthermore, the workshops? organization, the interaction between carvers and customers, and their influence on the portraits are explored. In doing so, the volume offers not just a detailed study of limestone carving and the techniques that underpinned Palmyra?s famous portraits, but also offers a significant contribution to wider research on funerary portraiture of the city and in Roman Syria _24e de couverture
410			_025765853X _tStudies in Palmyrene Archaeology and History _ffounding editor Rubina Raja,... _d2021 _cTurnhout _nBrepols _v7
606			_3029413133 _960137 _aSculpteurs sur pierre _3027407446 _925364 _yPalmyre (ville ancienne) _2rameau
606			_3027461467 _925813 _aSculpture en pierre _3027789721 _927652 _xIndustrie et commerce _3027407446 _925364 _yPalmyre (ville ancienne) _2rameau
606			_aPortrait sculpture, Roman _ySyria _yTadmur _2lc
606			_aLimestone sculpture _ySyria _yTadmur _2lc
607			_3027407446 _925364 _aPalmyre (ville ancienne) _2rameau
700		1	_3258309776 _966937 _aSteding _bJulia _f19..-.... _4070
801		3	_aFR _bAbes _c20230222 _gAFNOR
915			_aMON