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003 http://www.sudoc.fr/272005118
005 20230920055028.0
009 272005118
010 _a978-90-04-41264-4
017 7 _a10.1163/9789004412644
_2DOI
035 _a(OCoLC)1397311983
090 _989018
_a89018
100 _a20230915d2019 k y0frey50 ba
101 _aeng
_afre
_2639-2
102 _aNL
105 _aae a 101yy
135 _avrm|#|||m|aa|
181 1 _bxxxe##
181 1 _bxb2e##
200 _a° l'orientale
_ecollecting displaying and appropriating Islamic art and architecture in the nineteenth and early twentieth centuries
_fedited by Francine Giese, Mercedes Volait, Ariane Varela Braga
214 2 _aLeiden
_cBrill
_d2019
225 2 _aArts and Archaeology of the Islamic World
_v14
300 _aTextes issus d'une confřence tenue l̉'Universit ďe Zurich en mai 2017
302 _aContributions en anglais et en franȧis
320 _aBibliogr. en fin de contributions. Notes bibliogr. Index
330 _a"The present volume offers a collection of essays that examine the mechanisms and strategies of collecting displaying and appropriating Islamic art in the nineteenth and early twentieth centuries Many studies in this book concentrate on lesser known collections of Islamic art situated in Central and Eastern Europe that until now have received little attention from scholars A section of the volume focuses on the figure of the Swiss collector Henri Moser Charlottenfels whose important still largely unstudied collection of Islamic art is now being preserved at the Bernisches Historisches Museum Switzerland Contributors to the volume include young researchers and established scholars from Western and Eastern Europe and beyond: Albert Lutz (foreword Roger Nicholas Balsiger Moya Carey Valentina Colonna Francine Giese Hľn̈e Guřin Barbara Karl Katrin Kaufmann Sarah Keller Agnieszka Kluczewska Wj̤cik Inessa Kouteinikova Axel Langer Maria Medvedeva ℓgnes Sebestyň Alban von Stockhausen Ariane Varela Braga Mercedes Volait Les contributions de l'ouvrage examinent le mčanisme et les stratǧies relatifs l̉a collection la pršentation et l'appropriation des arts de l'Islam au XIXe sic̈le et db̌ut du XXe sic̈le Elles mettent l'accent sur des collections situěs en Europe centrale et orientale lesquelles ont ť p̌eu ťudiěs jusqu' p̉ršent Une partie de l'ouvrage est dďiě l̉a figure du collectionneur Suisse Henri Moser Charlottenfels dont les objets se trouvent aujourd'hui au Bernisches Historisches Museum (Suisse et qui ont ť ďe mm̊e peu ťudiš Les textes m̌anent de jeunes chercheurs comme de chercheurs confirmš basš en Europe occidentale et orientale et audel"̉
337 _aNčessite un accs̈ internet et un lecteur de fichier PDF
359 2 _bHonoring Henri Moser Charlottenfels: From Silkworm Exporter to Explorer Diplomat and Collector: The Illustrious Life of Henri Moser Roger Nicholas Balsiger grandnephew of Henri Moser Charlottenfels
_bIntroduction: Islamic Art and Architecture Exposed Francine Giese Mercedes Volait and Ariane Varela Braga
_bPart 1 Islamic Taste in the Nineteenth and Early Twentieth Centuries:
_bSafavid Revival in Persian Miniature Painting : Renewal Imitation and Source of Inspiration Axel Langer
_b
_bL'art islamique et la fabrique de l'Histoire des musulmans de Sicile de Michele Amari Hľn̈e Guřin
_bOrientalisme versus orientalit :̌ La nouvelle apprčiation des arts de l'Islam en Pologne au db̌ut du xxe sic̈le Agnieszka KluczewskaWj̤cik
_bPart 2 Appropriation Reuse and Eclecticism:
_bAppropriating Damascus Rooms: Vincent Robinson Caspar Purdon Clarke and Commercial Strategy in Victorian London Moya Carey
_b
_bInternational Fashion and Personal Taste: NeoIslamic Style Rooms and Orientalizing Scenographies in Private Museums Francine Giese
_bPages: 92108
_bPart 3 Museums and International Exhibitions:
_bCarpets and Empire: The 1891 Exhibition at the Handelsmuseum in Vienna Barbara Karl
_bHenri Moser as Commissioner General of the Pavilion of Bosnia and Herzegovina at the 1900 Universal Exposition in Paris ℓgnes Sebestyň
_bSamarcande au nord et l̉'ouest: Appropriation(s de l'architecture timouride S̉aintPťersbourg et B̉erne Katrin Kaufmann
_bTashkent in St Petersburg: The Constructed Image of Central Asia in Russia's NineteenthCentury Ethnographic Exhibitions Inessa Kouteinikova
_bPart 4 Collectors and Networks:
_b"Troppo amanti degli oggetti orientali"? : Ferdinando Panciatichi Ximenes d'Aragona a Collector of Islamic Art in NineteenthCentury Florence Ariane Varela Braga
_bThe Arab Room of Achille Vertunni: Islamic Art in the Streets of Rome Valentina Colonna
_b"Our aim is to perform something that remains after we are gone": The Oriental Collection Henri Moser Charlottenfels at Bernisches Historisches Museum Alban von Stockhausen
_bYakov Smirnov's Photo Collection: The Orient in NineteenthCentury Photography Maria Medvedeva
371 _aAccs̈ en ligne restreint soumis ảbonnement
410 _tArts and Archaeology of the Islamic World
_v14
452 _0248192000
_t° l'orientale
_ocollecting displaying and appropriating Islamic art and architecture in the nineteenth and early twentieth centuries
_fedited by Francine Giese, Mercedes Volait, Ariane Varela Braga
_d2020
_cLeiden
_nBrill
_p1 vol. (XVI-224 p.)
_sArts and archaeology of the Islamic world
_y978-90-0441085-5
606 _3027280578
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_aArt islamique
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_zTexte intǧral accessible sur les sites de l'IFPO (Beyrouth et Amman)
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