000			03375cam0a22004811 4500
003			http://www.sudoc.fr/251192040
005			20220203055018.0
009			251192040
010			_a978-1-83860-116-4
010			_a1-83860-116-3
010			_a978-1-83860-152-2
010			_a1-83860-152-X
035			_a(OCoLC)1197707163
035			_aon1197707163
035			_aCHVBK599843993
035			_aCHBIS011631479
035			_aCHVBK594394570
035			_aCHDSB007210752
090			_985951 _a85951
100			_a20201216d2020 u y0gery50 ba
101			_aeng
102			_aGB
105			_aa z 001yy
181		1	_bxxxe##
200	1		_aCreative radicalism in the Middle East _eculture and the Arab left after the uprisings _fCaroline Rooney
214			_aLondon _aNew York _aOxford _cI.B. Tauris
214		4	_dC 2020
215			_a1 vol. (xi- 226p.) _cill. _d24 cm
225			_aWritten culture and identity
327			_a1. Introduction: From Radical Distrust to the Arab Avant-Garde. _a2. Politics as Theatre in Hannah Arendt's The Human Condition. _a3. Discourses of Authenticity and Poetic Good Faith: Algeria, Israel, and Syria. _a4. From Hegemonic Interpellations to Revolutionary Signs, e.g. Egypt. _a5. Chronic Disappointment and Humiliation in the Arab Novel. _a6. Cults of Pride and the Cultural Expression of Right Wing Populism. _a7. Karama or Why the Egyptian Revolution Was a Poem. _a8. Figurations of the Sacred in Martyr Art and Equine Messianism. _aMode of access: World Wide Web
330			_a"Addressing the question of how neoliberal ideology has served to conflate the radical left with extremism, this book examines how the Arab left has asserted itself in the context of authoritarianism and Islamic extremism during and after the Arab uprisings. It examines how the Arab cultural left has offered a critique of the signifying practices of political hegemonies in the region and argues that though creative expression as constituted in the very language of the Arab uprisings, it has put forward its own alternatives Using a wide array of texts and sources, both Arab and non-Arab, the opening chapters of the book identify how ethical and radical values pertaining to sociality are co-opted by political leaders in the Middle East and turned into jargon. Later chapters outline resistance to this co-option through a poetics of inter-subjectivity that takes structures of feeling into account, ranging from disappointment, despair and distrust, to dignity, solidarity and reconfigured senses of the sacred. In showing how psychological and affective states relate to signifying practices, the book offers an original conceptual framework for differentiating 'radicalization' from the creative radicalism of the Arab avant-garde."
410			_025711517X _tWritten culture and identity _cLondon [etc.] _nI. B. Tauris _d201X
606			_3155093797 _942888 _aPrintemps arabe (2010-....) _3027966216 _928438 _xDans l'art _3040741125 _936541 _xMoyen Orient _2rameau
606			_3027435598 _925589 _aMouvements contestataires _3040741125 _936541 _xMoyen Orient _2rameau
700		1	_3068554931 _966742 _aRooney _bCaroline _4070
801		3	_aFR _bAbes _c20220202 _gAFNOR
801			_bDEBBG _gAACR2
801		2	_bOCLCO _gAACR2
915			_aMON