000 05165cam0a2200493 4500
003 http://www.sudoc.fr/167404288
005 20230215055021.0
009 167404288
029 _aFR
_b2011AIX32087
035 _a(OCoLC)835104327
090 _937960
_a37960
100 _a20130213d2011 k y0frey50 ba
101 _afre
_dfre
_deng
_2639-2
102 _aFR
105 _aa v 000yy
106 _ar
181 1 _bxxxe##
200 1 _aLa contestation mďiatisě par le monde de l'Art en contexte autoritaire
_eL'expřience cinm̌atographique en Syrie au sein de l'Organisme gňřal du cinm̌a
_e1964-2010
_fpršentě par Cčile Box͡
_gdirectrice de ths̈e Elizabeth Picard
214 2 _d2011
215 _a2 vol. (543, 100 p.)
_cPhotos
_d30 cm
302 _aRšum ěn franȧis et en anglais
320 _aBibliogr. p. 477-510
327 _aLe volume 2 est un "fascicule des planches de photogrammes"
328 _zReproduction de
_bThs̈e de doctorat
_cScience politique
_eAix-Marseille 3
_d2011
330 _a
330 _aOur research investigates how an artistic activity can also be a vehicle for contention within an authoritarian context. It relies at the crossroad of two areas of questioning. On the one hand, we explore the various interactions between an art world and a political world, shedding light on the political logics at stake in a cinematographic field greatly dependent upon the state, as well as on the contentious practices emerging from this particular configuration. On the other hand, we scrutinize contention expressed at the margin of a locked political space, unveiling some mechanisms of authoritarianism produced by negotiations, arrangements and conflicts between actors belonging to the cinematographic world and actors of the bureaucratic apparatus. At first, we examine how the social relationships woven around the organization and the functioning of film production polarize and refract practices and issues proper to the political field while reformulating them. Then we shift the focus of our analysis on the very heart of the films to locate and describe, from the specific tools of the film language, subjects, categorizations and objects dealing with politics, upon which filmmakers cast a critical eye, whereas contentious expression in the public sphere proves to be problematic
455 _0178105988
_t
_ol'expřience cinm̌atographique en Syrie au sein de l'Organisme gňřal du cinm̌a (1964-2010)
_fCčile Box͡
_d2011
606 _302751711X
_926266
_aAutoritarisme
_3027356949
_946528
_ySyrie
_2rameau
606 _3027257592
_923997
_aCinm̌a et politique
_3027356949
_946528
_ySyrie
_2rameau
606 _3027732525
_927362
_aRšistance politique
_3027356949
_946528
_ySyrie
_2rameau
606 _3027280470
_924317
_aArt et politique
_3027356949
_946528
_ySyrie
_2rameau
608 _3027253139
_923921
_aThs̈es et črits acadm̌iques
_2rameau
686 _a320
_2TEF
700 1 _3167402390
_954138
_aBox͡
_bCčile
_f1977-....
_4070
701 1 _3029198631
_931068
_aPicard
_b
_f19..-....
_cpolitiste
_4727
711 2 _3026403153
_967825
_aUniversit P̌aul Cžanne
_c1973-2011
_4295
711 2 _3077373561
_964807
_a
_cAix-en-Provence
_4985
801 3 _aFR
_bAbes
_c20230214
_gAFNOR
915 _aTHE
991 _5992052301:777246686
_aRETRO-2022-FINANCEMENT ABES-CRE SAI-Fonds urbanisme Liban
_bConvention Abes 2022